Hard Times MCQs

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Author: Nasir Iqbal | Assistant Professor of English Literature

Hard Times MCQs
Updated on: October 11, 2025
Estimated Reading Time: 18 min

Hard Times MCQs

1. What is the “one thing needful” Mr. Gradgrind demands in education?

A. Imagination
B. Facts
C. Creativity
D. Emotional intelligence

B. Facts.

Mr. Gradgrind demands only facts in education. He believes facts are necessary and sufficient for life.


2. How is Mr. Gradgrind’s appearance described?

A. A round face and soft voice
B. A square forefinger, square forehead, and hard-set mouth
C. Long, flowing hair and gentle eyes
D. A frail body and quiet demeanor

B. A square forefinger, square forehead, and hard-set mouth.

Gradgrind’s square appearance reflects his rigid philosophy. It shows his devotion to factual measurement.


3. What analogy describes the children ready to receive facts?

A. Empty canvases waiting for paint
B. Little vessels ready for facts to be poured into them
C. Wild animals needing taming
D. Delicate flowers needing gentle care

B. Little vessels ready for facts to be poured into them.

Children are viewed as empty vessels ready to be filled. This mechanical analogy represents the lack of imagination in the system.


4. How does Mr. Gradgrind mentally introduce himself?

A. A man of art and sentiment
B. A man of realities, facts, and calculations
C. A man of great generosity
D. A man of boundless curiosity

B. A man of realities, facts, and calculations.

Gradgrind defines himself by “realities, facts, and calculations.” This summarizes his utilitarian and practical belief system.


5. What is Mr. Gradgrind compared to when ready to fill children with facts?

A. A gentle spring shower
B. A cannon loaded with facts, ready to blow them out of childhood
C. A beacon of hope
D. A quiet scholar

B. A cannon loaded with facts, ready to blow them out of childhood.

His education style is forceful and destructive. It threatens to destroy the children’s imaginative minds.


6. What name does Mr. Gradgrind insist “Girl number twenty” use instead of Sissy?

A. Sarah
B. Cecilia
C. Clara
D. Susan

B. Cecilia.

Gradgrind insists on “Cecilia” to formalize Sissy. This attempts to remove any sentimental associations with her nickname.


7. What is Sissy Jupe’s father’s objectionable occupation?

A. A factory worker
B. A horse-riding performer
C. A schoolmaster
D. A doctor

B. A horse-riding performer.

Sissy’s father is a horse-riding performer in the circus. His job represents the world of Fancy, opposite of Fact.


8. Who does Mr. Gradgrind call upon to define a horse when Sissy cannot?

A. Thomas Gradgrind Jr.
B. Louisa Gradgrind
C. Bitzer
D. Mr. M’Choakumchild

C. Bitzer.

Bitzer, the model student, defines the horse perfectly. His factual knowledge contrasts sharply with Sissy’s lack of fact.


9. What is Bitzer’s precise definition of a horse?

A. A common beast of burden.
B. Quadruped, Graminivorous, forty teeth…
C. An animal used for transportation.
D. A large mammal with a mane and tail.

B. Quadruped, Graminivorous, forty teeth….

Bitzer’s technical definition is cold and exact. It highlights the mechanical, lifeless nature of fact-based learning.


10. How is Bitzer’s appearance described in contrast to Sissy Jupe’s?

A. Dark-eyed and dark-haired, with radiant color.
B. Light-eyed and light-haired, appearing to bleed white if cut.
C. Robust and healthy.
D. Cheerful and full of life.

B. Light-eyed and light-haired, appearing to bleed white if cut.

Bitzer’s colorless appearance reflects his lack of imagination. He is symbolically drained of life by the factual system.


11. According to the gentleman, what is “Taste” another name for?

A. Imagination
B. Fancy
C. Fact
D. Sentiment

C. Fact.

The gentleman insists that “Taste” must be called “Fact.” This illustrates the systematic destruction of all aesthetic concepts.


12. What word does the gentleman insist must be discarded and replaced by “Fact”?

A. Reality
B. Truth
C. Fancy
D. Knowledge

C. Fancy.

The word “Fancy” is banned and replaced by “Fact.” This is the central tenet of Gradgrind’s educational philosophy.


13. Mr. M’Choakumchild and other schoolmasters are described as being turned out like so many what?

A. Soldiers
B. Pianoforte legs
C. Books
D. Machines

B. Pianoforte legs.

Schoolmasters are compared to pianoforte legs. This suggests they are uniform, machine-made, and devoid of individual character.


14. What subjects are listed as being at the ends of Mr. M’Choakumchild’s fingers?

A. Poetry and literature
B. Orthography, etymology, syntax, prosody, and many others.
C. Fine arts and philosophy
D. Emotional development and moral reasoning

B. Orthography, etymology, syntax, prosody, and many others.

This list highlights the excessive, meaningless technical education provided. It shows the school focuses on dry data over wisdom.


15. What is the schoolroom described as, reflecting Mr. Gradgrind’s philosophy?

A. A vibrant learning environment
B. A plain, bare, monotonous vault
C. A place of creative exploration
D. A warm and welcoming space

B. A plain, bare, monotonous vault.

The schoolroom is described as a bare, monotonous vault. This mirrors the dull, stifling effect of the educational system.


16. How many young Gradgrinds are there?

A. Three
B. Four
C. Five
D. Six

C. Five.

There are five Gradgrind children. They are all raised according to the rigid, emotionless philosophy of their father.


17. What is the name of Mr. Gradgrind’s matter-of-fact home?

A. Fact House
B. Coketown Villa
C. Stone Lodge
D. Grand Grinding Hall

C. Stone Lodge.

Gradgrind’s home is called Stone Lodge. The name reflects the cold, hard, fact-based nature of the family’s environment.


18. What sound invaded Mr. Gradgrind’s ears on the outskirts of town?

A. The quiet hum of machinery
B. Music from Sleary’s Horse-riding
C. The lamentations of the poor
D. The rustling of leaves

B. Music from Sleary’s Horse-riding.

The music is from Sleary’s circus, the world of Fancy. It is an unwelcome intrusion into Gradgrind’s world of Fact.


19. What shocking sight stopped Mr. Gradgrind at the circus booth?

A. His children, Louisa and Thomas, peeping at the circus
B. Mr. Bounderby engaged in idleness
C. Sissy Jupe running away
D. A group of workers on strike

A. His children, Louisa and Thomas, peeping at the circus.

Gradgrind finds his own children secretly looking at the circus. This reveals the failure of his system to suppress Fancy.


20. What emotion does Louisa express when questioned by her father?

A. Excitement and joy
B. Jaded sullenness, with a starved imagination
C. Deep remorse and fear
D. Eagerness to please her father

B. Jaded sullenness, with a starved imagination.

Louisa expresses jaded sullenness. Her emotional damage is a direct result of her education.


21. What name does Mr. Gradgrind repeatedly invoke in his indignation?

A. Mr. M’Choakumchild
B. Mr. Bounderby
C. Mr. Sleary
D. Mr. Harthouse

B. Mr. Bounderby.

Mr. Gradgrind invokes Mr. Bounderby’s name. Bounderby is his philosophical ally and the primary enforcer of the Fact system.


22. How is Mr. Bounderby described in relation to Mr. Gradgrind?

A. His philosophical adversary
B. As near being his bosom friend as a man devoid of sentiment can be
C. His distant relative
D. His business rival

B. As near being his bosom friend as a man devoid of sentiment can be.

Bounderby is Gradgrind’s closest friend. Their relationship is based on shared philosophical alignment, not true emotion.


23. What is Mr. Bounderby’s boast about his mother?

A. She was a saintly woman.
B. She was highly educated.
C. She “bolted” and left him.
D. She was a factory worker.

C. She “bolted” and left him.

Bounderby falsely claims his mother “bolted” and left him. This forms the basis of his self-made myth of poverty.


24. How did Josiah Bounderby learn his letters and tell time?

A. From district schools and model schools.
B. From shop signs and a church clock, under a drunken cripple.
C. From private tutors.
D. From his mother.

B. From shop signs and a church clock, under a drunken cripple.

Bounderby fabricates this impoverished origin story. It is the basis for his boastfulness and public persona.


25. What does Mr. Bounderby claim the “Hands” of Coketown want?

A. Plain bread and water
B. Turtle soup and venison with a gold spoon
C. Simple, wholesome food
D. Whatever the cheapest market offers

B. Turtle soup and venison with a gold spoon.

Bounderby claims the workers want absurd luxuries. This is his false justification for denying them basic rights and empathy.


26. What does Louisa do after Mr. Bounderby kisses her?

A. She happily accepts it.
B. She rubs her cheek until it was burning red.
C. She tells him off angrily.
D. She laughs in amusement.

B. She rubs her cheek until it was burning red.

Louisa rubs her cheek until it burns. This reflects her deep physical revulsion toward Bounderby.


27. What are the key features of Coketown’s appearance?

A. Bright, colorful buildings and clean rivers.
B. Unnatural red brick, smoke serpents, and a purple, ill-smelling river.
C. Green parks and wide, open spaces.
D. Historical architecture and quaint streets.

B. Unnatural red brick, smoke serpents, and a purple, ill-smelling river.

Coketown’s harsh description highlights the environmental misery. It shows the negative effects of unchecked industrialism.


28. How are the inhabitants of Coketown described?

A. Diverse and individualistic.
B. Equally like one another, doing the same work every day.
C. Constantly striving for uniqueness.
D. Separated by vast social differences.

B. Equally like one another, doing the same work every day.

The inhabitants’ uniformity reflects the dehumanizing effect. It shows how industrial work removes individuality.


29. What fundamental principle governs everything in Coketown?

A. Imagination
B. Fact
C. Morality
D. Sentiment

B. Fact.

The principle of Fact governs Coketown. This reflects the utilitarian and industrial philosophy of the town’s ruling class.


30. What did tabular statements show about the Coketown people?

A. They were always working.
B. They got drunk and, when not, they took opium.
C. They were highly moral and industrious.
D. They were easily satisfied with their lives.

B. They got drunk and, when not, they took opium.

Tabular statements show that workers resort to drink and opium. This is their escape from the grinding monotony of Fact.


31. How were the Coketown people perceived by Gradgrind and Bounderby?

A. As grateful and content.
B. As a bad lot, restless, unthankful, and unmanageable.
C. As highly reasonable and self-sufficient.
D. As ambitious and striving for improvement.

B. As a bad lot, restless, unthankful, and unmanageable.

Gradgrind and Bounderby view the poor as restless and unmanageable. This shows the masters’ complete lack of empathy for the workers’ suffering.


32. What does Sissy carry in a bottle for her father?

A. Water
B. Wine
C. The nine oils
D. Medicine

C. The nine oils.

Sissy carries “the nine oils” for her father. This traditional remedy contrasts sharply with the cold medical facts of the Gradgrind world.


33. What is the name of the public-house where Sissy’s father lives?

A. The Three Jolly Bargemen
B. The Pegasus’s Arms
C. The Green Dragon
D. The Golden Lion

B. The Pegasus’s Arms.

Sissy’s father lives at the Pegasus’s Arms public-house. The winged horse emblem contrasts with Bounderby’s industrial world.


34. What does Mr. Childers reveal about Sissy’s father?

A. He has found a new job.
B. He has been “goosed” and has deserted his daughter.
C. He is ill and unable to perform.
D. He has gone to London for a new act.

B. He has been “goosed” and has deserted his daughter.

Childers reveals Jupe deserted Sissy. He left to spare her the sight of his final failure as a performer.


35. What cut Signor Jupe deeper than his failures?

A. The public’s disapproval.
B. Knowing his daughter knew of his failures.
C. The loss of his dog.
D. The financial hardship.

B. Knowing his daughter knew of his failures.

Jupe deserted Sissy because he could not bear her knowing he was a complete failure. His pride was too wounded.


36. What proposal does Mr. Gradgrind make to Sissy?

A. To offer her a place in the circus.
B. To educate her, on condition she breaks ties with circus friends.
C. To send her to a workhouse.
D. To find her father.

B. To educate her, on condition she breaks ties with circus friends.

Gradgrind offers to educate Sissy on one condition. She must break all ties with her circus family and friends.


37. What is Mrs. Sparsit’s social standing?

A. She is of humble origins.
B. She is highly connected, with a great aunt Lady Scadgers.
C. She is a self-made woman.
D. She is a former factory worker.

B. She is highly connected, with a great aunt Lady Scadgers.

Mrs. Sparsit is an aristocratic widow with high connections. Her past contrasts sharply with Bounderby’s claimed humble origins.


38. What does Mrs. Sparsit’s “Coriolanian nose” suggest?

A. Timidity and shyness
B. Seriousness, sternness, and judgment
C. Gaiety and humor
D. Weakness and indecision

B. Seriousness, sternness, and judgment.

Her Coriolanian nose suggests sternness, judgment, and high social pride. It reflects her constant disapproval of Bounderby’s character.


39. What does Mr. Gradgrind tell Louisa when he overheard her say “I wonder”?

A. “That’s a good question.”
B. “Louisa, never wonder!”
C. “Wonder is the beginning of knowledge.”
D. “Tell me what you wonder about.”

B. “Louisa, never wonder!”.

Gradgrind overhears Louisa and commands, “never wonder!” This phrase represents the total suppression of imagination and curiosity.


40. What is Sissy’s “absurd answer” about the first principle of Political Economy?

A. “Supply and demand.”
B. “To do unto others as I would that they should do unto me.”
C. “Every man for himself.”
D. “Facts alone are wanted in life.”

B. “To do unto others as I would that they should do unto me.”.

Sissy answers with the Golden Rule. This moral answer directly opposes the utilitarian principles of Gradgrind’s school.


41. What was Sissy’s “mistake” regarding National Prosperity?

A. She didn’t know the exact figures.
B. She couldn’t know if it was prosperous without knowing who had the money.
C. She believed it was not prosperous.
D. She failed to define the term.

B. She couldn’t know if it was prosperous without knowing who had the money.

Sissy challenges the cold statistics. She insists that prosperity must consider the welfare of the poor workers.


42. What does Sissy say was “nothing” regarding the percentage of people killed on voyages?

A. The percentage itself
B. The number of people saved
C. The suffering of the survivors
D. “Nothing… to the relations and friends of the people who were killed.”

D. “Nothing… to the relations and friends of the people who were killed.”.

Sissy argues that statistics ignore human suffering. This shows that her moral feelings trump logical calculations.


43. What does Tom wish he could do with all the “Facts” and “Figures”?

A. Compile them into a book.
B. Put gunpowder under them and blow them all up.
C. Use them to gain power.
D. Present them to Parliament.

B. Put gunpowder under them and blow them all up.

Tom wishes he could blow up the Facts with gunpowder. This shocking thought reveals his deep, dangerous rebellion against the Fact system.


44. What new role has Time hustled Mr. Gradgrind into?

A. A factory manager
B. Member of Parliament for Coketown
C. A school inspector
D. A renowned philosopher

B. Member of Parliament for Coketown.

Gradgrind becomes an MP for Coketown. This new role allows him to promote his Utilitarian philosophy on a wider, national scale.


45. What is Louisa the subject of, according to her father?

A. A new educational program.
B. A marriage proposal from Mr. Bounderby.
C. A scientific experiment.
D. A philosophical debate.

B. A marriage proposal from Mr. Bounderby.

Louisa becomes the subject of a marriage proposal from Bounderby. This decision seals her fate as a sacrifice to the god of Fact.


46. How does Mr. Gradgrind advise Louisa to consider the marriage?

A. From an emotional perspective.
B. Simply as one of tangible Fact.
C. With an open heart.
D. Based on love and affection.

B. Simply as one of tangible Fact.

Gradgrind advises Louisa to view the marriage only as a factual, mathematical arrangement. He denies the validity of emotional or romantic considerations.


47. When Louisa says “Fire bursts out, father!” what is she hinting at?

A. The danger of industrial fires.
B. The suppression of human passions that will eventually erupt.
C. The beauty of the industrial landscape.
D. A literal fire.

B. The suppression of human passions that will eventually erupt.

Louisa hints that suppressed human passions will eventually erupt like fire. This foreshadows her moral and emotional collapse later in the novel.


48. What was Mr. Bounderby’s “first disquietude” on hearing of his happiness?

A. How to tell Mr. Gradgrind.
B. The necessity of telling Mrs. Sparsit.
C. How to plan the wedding.
D. Financial considerations.

B. The necessity of telling Mrs. Sparsit.

Bounderby was worried about telling Mrs. Sparsit. She was secretly hoping to marry Bounderby herself and resented Louisa.


49. What is Mrs. Sparsit’s immediate reaction to the marriage announcement?

A. She swoons.
B. She wishes him happiness with great compassion for him.
C. She congratulates him enthusiastically.
D. She resigns immediately.

B. She wishes him happiness with great compassion for him.

Mrs. Sparsit pretends compassion for Bounderby while secretly plotting Louisa’s downfall. This establishes her as a subtle and judgmental villain.


50. Where did Mr. and Mrs. Bounderby go for their nuptial trip?

A. To a romantic seaside resort.
B. To Lyons, so Bounderby could observe the “Hands.”
C. To London.
D. To a quiet country estate.

B. To Lyons, so Bounderby could observe the “Hands.”.

The Bounderbys travel to Lyons to observe the Hands. This shows that Bounderby views marriage as merely another industrial inspection tour.

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