The Man of Mode MCQs

The Man of Mode MCQs

1. Dorimant compared writing a billet doux to paying what tax?

A. Local subsidy
B. Royal Aid, duties
C. Property tax
D. Income tax

B. Royal Aid, duties.
Dorimant compared writing love notes to the difficult task of paying unpopular taxes to the King.

2. What payment does the Orange-woman ask Handy to give her?

A. Silver sixpence
B. Gold angel
C. Copper shilling
D. French crown

B. Gold angel.
The Orange-woman sets down her fruit and asks Dorimant’s man to pay her with a gold coin.

3. What kind of peach does the Orange-woman offer Dorimant?

A. Clingstone peach
B. Newington peach
C. From the stone
D. Imported fruit

C. From the stone.
The peach is a freestone variety that the Orange-woman claims is superior to others he has tasted.

4. Lady Woodvill believes Dorimant is an arrant devil and expects him to have what?

A. A drawn sword
B. A cloven foot
C. Bloody hands
D. Witty tongue

B. A cloven foot.
Lady Woodvill has heard terrible stories about Dorimant and thinks he must look like the devil.

5. Medley describes Harriet’s eyes using which sensual adjective?

A. Wild, wandering
B. Wanton eyes
C. Shining bright
D. Honest eyes

B. Wanton eyes.
Medley uses this word to describe Harriet’s sexually alive and playful nature, ignoring its moral sense.

6. Medley compares Harriet’s pouting lips to what kind of flower?

A. White lily
B. Provence rose
C. French tulip
D. English poppy

B. Provence rose.
The fresh rose on the bush with dew describes the beautiful appearance of her pouting lips.

7. Dorimant’s neglected business over the last two days was conducted with whom?

A. A vizard
B. A friend
C. A merchant
D. A lawyer

A. A vizard.
The vizard (a mask) often indicates a masked pròstitute or woman of loose reputation in town.

8. What specific item does Dorimant tell his servant Handy to seal and run with?

A. This [Loveit] letter
B. His new coat
C. A money purse
D. A diamond ring

A. This [Loveit] letter.
The letter is an insipid billet doux Dorimant wrote to Mrs. Loveit excusing his neglect of her.

9. The Shoemaker complains that apprentices now sing nothing but what?

A. Love ditties
B. Damned lampoons
C. Old ballads
D. Holy hymns

B. Damned lampoons.
The Shoemaker believes the wits’ scurrilous songs have corrupted the traditional, harmless ballads sung by apprentices.

10. The Shoemaker boasts he and his wife sleep in what separate item?

A. Silk sheets
B. Separate rooms
C. Several settle-bed
D. A large feather-bed

C. Several settle-bed.
He boasts that his sophisticated wife and he follow the modish trend of separate sleeping arrangements.

11. Medley compares marrying a whore to the fury of a fanatic crying out what?

A. Glory in Bethlem
B. Praise the Lord
C. Salvation
D. Repentance

A. Glory in Bethlem.
Medley compares the passion of marriage to the religious madness seen in the London lùnatic asylum.

12. Handy asks if Dorimant will use the essence or which liquid?

A. Strong brandy
B. Rosewater
C. Orange-flower water
D. Sweet wine

C. Orange-flower water.
Handy is offering Dorimant a choice of perfumes, showing the importance of scent for a man of the mode.

13. Sir Fopling Flutter is lately arrived piping hot from where?

A. Piping hot, Paris
B. The Low Countries
C. Amsterdam
D. Dublin town

A. Piping hot, Paris.
Sir Fopling’s arrival from Paris establishes his identity as the ultimate, newly arrived Frenchified fool of fashion.

14. Dorimant avoids telling Young Bellair the truth about Bellinda to protect his honourable what?

A. Of marrying
B. Reputation
C. Good name
D. Love affair

A. Of marrying.
Dorimant fears revealing his deceit might frighten Young Bellair from his honest intention of wedding Emilia.

15. Molly writes that she has no money and is very what?

A. Very hungry
B. Very angry
C. Very malicolly
D. Very poor

C. Very malicolly.
This misspelling in the pròstitute’s letter suggests she means she is feeling deeply melancholy or sad.

16. Dorimant jokes he may ride what specific animal if he pleases?

A. His own horse
B. The elephant
C. A camel
D. A donkey

B. The elephant.
This refers to a specific elephant exhibition in London, indicating Dorimant’s topical and boastful, witty nature.

17. Emilia warns Young Bellair that their love is frail, as is what else?

A. Is our life
B. A winter’s day
C. A broken glass
D. His honesty

A. Is our life.
Emilia uses this profound phrase to express skepticism about the longevity and stability of human affection.

18. Old Bellair tells Young Bellair to carry a note to which profession?

A. Barber’s shop
B. Lawyer’s chamber
C. Vintner’s house
D. Physician’s home

B. Lawyer’s chamber.
The lawyer, Mr. Fourbe, is preparing the legal documents that will disinherit Young Bellair if he disobeys.

19. Old Bellair tells Emilia to keep silent about their meeting, using what single word?

A. Meantime, mum
B. Keep quiet
C. Be silent
D. Not speak

A. Meantime, mum.
The instruction “mum!” signals Old Bellair’s secret plan to flirt with Emilia, unaware she loves his son.

20. Old Bellair claims a wife is no curse when she brings the blessing of what?

A. A good estate
B. Sweet manners
C. Fine children
D. Great beauty

A. A good estate.
Old Bellair values financial gain, prioritising wealth over personal happiness in his pragmatic marriage decisions.

21. Medley ridicules a handbook called The Art of what?

A. Of Fashion
B. Of Affectation
C. Of Beauty
D. Of Flattery

B. Of Affectation.
This fictional handbook satirises the affected manners and Frenchified customs adopted by some London ladies.

22. Mrs. Loveit would rather be made infamous than owe her reputation to what?

A. Dull discretion
B. A moral life
C. Good conduct
D. Family fame

A. Dull discretion.
She prefers the infamy caused by Dorimant’s wit over the boring, careful restraint of dull fops.

23. Bellinda describes the masked lady Dorimant as wearing a pretty what?

A. Pretty dishabille
B. Gold jewels
C. Fine mantle
D. Black mask

A. Pretty dishabille.
The word refers to the lady’s casual or careless style of dress, emphasising her secretive nature.

24. Dorimant greets Mrs. Loveit with lines from Waller, saying they approach heaven how?

A. Approach alive
B. With prayer
C. With singing
D. With weeping

A. Approach alive.
The lines are a compliment, but contrast sharply with Mrs. Loveit’s raging, jealous mood and desire for revenge.

25. Mrs. Loveit destroys which item in her burst of “Hell and furies”?

A. A glass
B. Her fan
C. Her hat
D. A letter

B. Her fan.
The action symbolizes her loss of control and her inability to hide her extreme, jealous passion for Dorimant.

26. Dorimant claims that when love grows diseased, the best cure is what kind of death?

A. A long decay
B. A gentle death
C. A violent death
D. A slow death

C. A violent death.
He suggests ending the passion quickly is better than enduring a slow, lingering, and painful separation.

27. Dorimant calls Sir Fopling Flutter the very what of all those fools?

A. Biggest name
B. Best example
C. Cock-fool of all
D. Leader bold

C. Cock-fool of all.
This is a newly coined term that highlights Sir Fopling as the ultimate, ridiculous leader of the fops.

28. Mrs. Loveit wishes for universal ruin and misery, including what four plagues?

A. Plague, war, famine, fire
B. Sickness and pain
C. Death and decay
D. Hell and damnation

A. Plague, war, famine, fire.
Her extreme, hystèrical rhetoric shows her uncontrolled, destructive passion and need for revenge against Dorimant.

29. Harriet quotes Cowley’s poetry to express her aversion to what specific situation?

A. Being promised
B. Blind duty
C. Parental rule
D. Forced love

A. Being promised.
She compares herself to Merab, stating she hates the idea of being pre-arranged or designed for marriage.

30. Harriet and Young Bellair resolve to play the game of courtship, how?

A. Playing it on booty
B. Playing for money
C. With true words
D. With deep sincerity

A. Playing it on booty.
They resolve to pretend they are in love, making secret, false promises to successfully deceive their parents.

31. Harriet suspects Young Bellair is a malicious observer who watches people’s what?

A. People’s eyes
B. Clothes worn
C. Wealth great
D. Family name

A. People’s eyes.
She implies he studies glances in public spaces to draw scandalous conclusions about people’s intentions.

32. Harriet protests that Old Bellair expects them to love as what animals fight?

A. Wild dogs
B. Angry cats
C. Gamecocks fight
D. Lion fierce

C. Gamecocks fight.
She criticises Old Bellair’s unreasonable expectation that their love should start immediately and fiercely, like fighting birds.

33. Dorimant mocks Lady Townley for an embarrassment of what is outside her door?

A. Of footmen
B. Of coaches
C. Of chairs and coaches
D. Of visitors

C. Of chairs and coaches.
He uses the French word for “congestion” to mock the fashionable, but chaotic, gatherings at her house.

34. Sir Fopling names the scent of his gloves as what?

A. Rose perfume
B. Orange water
C. Orangerie scent
D. Fresh linen

C. Orangerie scent.
This refers to the essential oil from orange flowers, a newly fashionable and popular French perfume.

35. Dorimant says Nature stuns a brain and puts sophisticated dullness on what?

A. Tasteless multitude
B. Wise men
C. Good poets
D. French writers

A. Tasteless multitude.
He uses an analogy of adulterated wine to say that most people mistake affected stupidity for true wit.

36. Harriet says Dorimant’s apparent “easiness” passes on which group of people?

A. The easy town
B. The gentleman
C. The wise men
D. Her mother

A. The easy town.
She claims the tolerant or gullible town accepts Dorimant’s affected behaviour as natural “humour” without question.

37. Lady Woodvill calls Dorimant the prince of all the devils in the town, who delights in what two acts?

A. Rapes and riots
B. Lies and deceit
C. Drink and song
D. Theft and war

A. Rapes and riots.
Lady Woodvill repeats the scandalous reputation of the gentleman rake, believing he is utterly barbarous.

38. Sir Fopling enters with his equipage, listing off what specific number of footmen?

A. Six footmen
B. Three friends
C. Ten attendants
D. Four servants

A. Six footmen.
This extravagant number of footmen emphasises Sir Fopling’s extreme foppishness and his desire for French style.

39. The Bully insults Bellinda by calling her what specific term?

A. A flat wench
B. Oily buttocks
C. A fine lady
D. A masked face

B. Oily buttocks.
The term “buttock” was slang for a whore, implying that Bellinda is sexually available but worthless.

40. Sir Fopling is disgusted by his footman’s name, John Trott, and changes it to what?

A. La Rose
B. Then Hampshire
C. Sir John
D. Piccar

B. Then Hampshire.
He changes the name to the servant’s county, reflecting his Frenchified desire for exòtic names.

41. Antonio is instructed to assume the name of what foppish admirer of quality?

A. Mr Courtage
B. Mr Medley
C. Mr Smirk
D. Mr Trott

A. Mr Courtage.
Antonio needs this disguise to interact with Lady Woodvill, who dislikes the reputation of Dorimant.

42. Lady Woodvill says the vicious age loathes fully ripened fruit and tastes only what?

A. Only green fruit
B. Wild berries
C. Rotten flesh
D. Sweet grapes

A. Only green fruit.
She laments that the younger generation only admires fresh beauty and neglects older, worthy women.

43. Harriet tells Dorimant she was informed he used to laugh at love, and not do what?

A. Not make it
B. Not discuss it
C. Not feel it
D. Not fear it

A. Not make it.
She refers to his reputation as a cynical observer who disdains true affection, contrasting with his current advances.

44. Sir Fopling describes Harriet as more éveillée (wide-awake) than what women?

A. French women
B. Country girls
C. English women
D. Court ladies

C. English women.
He uses the French term to suggest Harriet has the lively, sophisticated mannerisms valued in Parisian society.

45. Sir Fopling confuses the witty writer Rabutin with what famous stage murderer?

A. Old Hieronimo
B. D’Ambois
C. Don Juan
D. Hamlet

B. D’Ambois.
This mistake reveals Sir Fopling’s French culture as a sham, as he only knows the popular theatrical character.

46. The drinking song’s focus shifts from love to what sparkling drink?

A. Strong wine
B. French spirits
C. Sparkling champagne
D. Spanish sherry

C. Sparkling champagne.
This new French drink helps recover languishing lovers, showing the modish link between wine and desire.

47. Sir Fopling says he cares not to sing out of a what?

A. A glass
B. A ruelle
C. A chamber
D. A tavern

B. A ruelle.
A ruelle is a boudoir, suggesting Sir Fopling reserves his singing voice only for private, intimate settings.

48. Bellinda is frightened that the chairman will tell the truth to whom?

A. Mrs Loveit
B. Mr Dorimant
C. The Watch
D. Lady Townley

B. Mr Dorimant.
She instructs the chairmen to lie and say they took her up in the Strand, out of fear of Dorimant’s interrogation.

49. Bellinda claims her defence against slander is her total lack of deception, called what?

A. Gentle favour
B. Inner virtue
C. Unnooked simplicity
D. God’s grace

C. Unnooked simplicity.
Her lack of deception or hidden motives, described as “uncooked,” is her only defence against slander.

50. Harriet brutally advises Mrs. Loveit that Dorimant has been her God Almighty for how long?

A. Long enough
B. Too short a time
C. A few weeks
D. Too long

A. Long enough.
Harriet means Mrs. Loveit has worshipped Dorimant too long, and should transfer her faith elsewhere.

Brief Overview

The Man of Mode, or Sir Fopling Flutter, is a play by Sir George Etherege. It was first performed in 1676. This Restoration comedy of manners satirizes the superficiality, cynicism, and artifice of high society in 17th-century London.

The play centers on Dorimant, a highly fashionable rake who is bored with his current mistress, Mrs. Loveit. He actively schemes to abandon her for her friend, Bellinda, whom he successfully seduces. Dorimant uses the ridiculous, new fop, Sir Fopling Flutter, to make Mrs. Loveit jealous.

Dorimant also meets Harriet, a beautiful and witty heiress. Harriet’s mother, Lady Woodvill, thinks Dorimant is completely wicked, calling him the “prince of all the devils in the town.” Harriet is very smart and sees past Dorimant’s superficial “affectation.”

In a separate, contrasting story, Young Bellair and Emilia are true lovers who plan a secret marriage. They cleverly pretend to court each other to trick their respective parents, avoiding conflict.

Dorimant finally admits his love to Harriet. She knows he is a trickster but accepts him. However, Harriet demands he prove his change in character.

She makes him agree to leave the fashionable town life and follow her to her country home. After Mrs. Loveit and Bellinda confront Dorimant about his lies, he manages to escape their anger. The play concludes with both young couples set for marriage.

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