Thomas Otway

The Orphan Or The Unhappy Marriage

The Orphan Or The Unhappy Marriage MCQs

Facts about Thomas Otway

➾ Thomas Otway left the University of Oxford in 1671, notably departing without securing an academic degree.

➾ He helped initiate the movement toward sentimental drama, focusing on credible human emotions over artificial tragedy.

➾ Aphra Behn offered Otway an acting part in one of her plays, marking his dramatic performance debut.

➾ Otway was instantly overcome by terrible stage fright, making his initial performance his final one.

➾ The dramatist fell violently in love with Elizabeth Barry, the notable actress who created the role of Draxilla.

➾ Six unsigned love letters, later attributed to Otway for Barry, appeared posthumously in a 1697 collection.

➾ His 1676 rhymed heroic play, Don Carlos, achieved immense success on the stage shortly after its production.

➾ Otway adapted Molière’s Titus and Berenice and Jean Racine’s The Cheats of Scapin, publishing both in 1677.

➾ He briefly paused his dramatic career in 1678 to gain a commission in an English regiment stationed in the Netherlands.

➾ His play Caius Marius strangely combined a story from Plutarch with an adaptation of Shakespeare’s Romeo and Juliet.

➾ Otway’s masterpiece, Venice Preserved, was revived more than most poetic plays until the mid-nineteenth century.

Thomas Otway MCQs

1. When was Thomas Otway born?

A. March 3, 1652
B. April 14, 1685
C. June 30, 1685
D. November 6, 1671

A. March 3, 1652.
Thomas Otway, the English dramatist and poet, was born on March 3, 1652, in the county of Sussex, England.

2. Where was Thomas Otway born?

A. London, England
B. Winchester, England
C. Trotton, Sussex, Eng.
D. Dublin, Ireland

C. Trotton, Sussex, Eng..
Otway was born in Trotton, near Midhurst, located in the county of Sussex, England, in 1652.

3. In what year did Thomas Otway pass away?

A. 1675
B. 1680
C. 1682
D. 1685

D. 1685.
Thomas Otway died prematurely in London on April 14, 1685, at the age of 33.

4. Where did Thomas Otway die?

A. Trotton
B. Midhurst
C. London
D. The Netherlands

C. London.
Otway concluded his short life and impactful literary career when he died in London in April 1685.

5. Which institution did Thomas Otway attend before going to Oxford?

A. Winchester College
B. Cambridge University
C. Duke’s Theatre
D. Westminster Abbey

A. Winchester College.
Prior to entering the University of Oxford, Otway completed his preliminary education at Winchester College.

6. Which university did Otway attend but ultimately leave without finishing his studies?

A. Cambridge
B. Oxford
C. Edinburgh
D. London

B. Oxford.
Otway studied at the University of Oxford but departed in 1671 without achieving a degree.

7. In what year did Thomas Otway leave the University of Oxford?

A. Sixteen fifty-two
B. Sixteen seventy-one
C. Sixteen seventy-five
D. Sixteen eighty-five

B. Sixteen seventy-one.
Otway left the University of Oxford and moved to London in 1671 to pursue a career, possibly in acting.

8. What profession did Thomas Otway initially attempt in London after leaving university?

A. Soldier
B. Author
C. Actor
D. Poet

C. Actor.
After moving to London, Otway tried acting and was offered a part in a play by Aphra Behn.

9. Who offered Thomas Otway a part in one of her plays in London?

A. Elizabeth Barry
B. Aphra Behn
C. Jean Racine
D. John Dryden

B. Aphra Behn.
The sources mention that the dramatist Aphra Behn offered Otway a role in one of her plays.

10. What physical reaction prevented Thomas Otway from continuing his acting career?

A. Stage fright
B. Illness
C. Argument
D. Poor memory

A. Stage fright.
Otway was overcome by a debilitating bout of stage fright, which meant his first performance was also his last.

11. What was Thomas Otway’s first play produced?

A. Venice Preserved
B. Don Carlos
C. Alcibiades
D. The Orphan

C. Alcibiades.
Otway’s debut play was the rhyming tragedy Alcibiades, first produced at the Duke’s Theatre in September 1675.

12. In what year was Otway’s first play, Alcibiades, produced?

A. 1671
B. 1675
C. 1676
D. 1680

B. 1675.
The rhyming tragedy Alcibiades was successfully staged in September 1675 at London’s Duke’s Theatre.

13. What type of dramatic work was Otway’s first play, Alcibiades?

A. Comedy
B. Blank verse tragedy
C. Rhyming tragedy
D. Sentimental drama

C. Rhyming tragedy.
Otway’s first produced play, Alcibiades, was written entirely in the then-popular format of a rhyming tragedy.

14. Who created the role of Draxilla in Otway’s first play, Alcibiades?

A. Aphra Behn
B. Elizabeth Barry
C. Mrs. Otway
D. Molière

B. Elizabeth Barry.
The role of Draxilla in Alcibiades was first performed by the well-known and respected actress Elizabeth Barry.

15. Which actress did Thomas Otway fall violently in love with?

A. Aphra Behn
B. Elizabeth Barry
C. The Duchess
D. Jean Racine

B. Elizabeth Barry.
Otway fell deeply and violently in love with Elizabeth Barry, who acted in his first produced play.

16. What form of correspondence, published anonymously, is attributed to Otway for Elizabeth Barry?

A. Love letters
B. Verse tragedy
C. Comic dialogue
D. Political letters

A. Love letters.
Six unsigned love letters, believed to be addressed to Barry, were published in a collection after Otway’s death.

17. When were the unsigned love letters, attributed to Otway, published?

A. 1685
B. 1697
C. 1605
D. 1712

B. 1697.
The collection containing the six alleged love letters from Otway was published twelve years after his death, in 1697.

18. What was the reception of Otway’s second play, Don Carlos?

A. Moderate success
B. Immense success
C. Total failure
D. Prohibited

B. Immense success.
Don Carlos, produced in 1676, achieved an “immense success” on the London stage, securing Otway’s reputation.

19. What is Don Carlos recognized as being among Otway’s output?

A. Best tragedy
B. Best comedy
C. Best adaptation
D. Best rhymed heroic play

D. Best rhymed heroic play.
The play Don Carlos is specifically cited as the best example of Otway’s dramatic work written in rhymed heroic style.

20. In what year was Otway’s successful rhymed heroic play, Don Carlos, produced?

A. Sixteen seventy-five
B. Sixteen seventy-six
C. Sixteen seventy-seven
D. Sixteen eighty

B. Sixteen seventy-six.
Don Carlos, which became an immense stage success, was originally produced for the public in June 1676.

21. Which French dramatist was Titus and Berenice adapted from?

A. Jean Racine
B. Molière
C. Pierre Corneille
D. Voltaire

B. Molière.
Otway’s play Titus and Berenice, published in 1677, was an adaptation drawn from the work of Molière.

22. Which French dramatist was The Cheats of Scapin adapted from?

A. Molière
B. Jean Racine
C. Aphra Behn
D. John Dryden

A. Molière.
The play The Cheats of Scapin, published alongside Titus and Berenice in 1677, was adapted from Molière.

23. In what year were the two Molière adaptations, Titus and Berenice and The Cheats of Scapin, published?

A. 1675
B. 1676
C. 1677
D. 1680

C. 1677.
Both of Otway’s adaptations from Molière, Titus and Berenice and The Cheats of Scapin, were published together in 1677.

24. What official role did Otway obtain in 1678?

A. Poet Laureate
B. Theatre manager
C. Army commission
D. Foreign diplomat

C. Army commission.
In 1678, Otway secured a commission to serve in an English regiment that was operating in the Netherlands.

25. In which country did Otway serve with an English regiment in 1678?

A. France
B. Spain
C. The Netherlands
D. Germany

C. The Netherlands.
Otway was overseas, serving in the Netherlands, when his first comedy was staged in London.

26. What was the title of Thomas Otway’s first comedy, staged while he was abroad?

A. Don Carlos
B. Friendship in Fashion
C. The Souldier’s Fortune
D. Venice Preserved

B. Friendship in Fashion.
Friendship in Fashion, Otway’s first comedy, was staged in London while he was serving in an English regiment abroad.

27. What sources did Caius Marius combine?

A. Molière and Racine
B. Dryden and Behn
C. Plutarch and Romeo and Juliet
D. Plutarch and Don Carlos

C. Plutarch and Romeo and Juliet.
Caius Marius was a mix of a story taken from Plutarch and an adaptation of Shakespeare’s Romeo and Juliet.

28. In what year was Otway’s play Caius Marius staged?

A. 1677
B. 1678
C. 1679
D. 1680

C. 1679.
The play Caius Marius, noted for its unusual mix of sources, was successfully staged during the year 1679.

29. What genre of poetry was Otway’s The Poet’s Complaint of His Muse?

A. Comic ballad
B. Blank verse tragedy
C. Autobiographical poem
D. Rhyming heroic play

C. Autobiographical poem.
The Poet’s Complaint of His Muse (1680) is described as a powerful, gloomy poem with autobiographical elements.

30. What emotional tone characterized Otway’s autobiographical poem, The Poet’s Complaint of His Muse?

A. Joyful
B. Satirical
C. Gloomy
D. Sentimental

C. Gloomy.
The sources refer to the autobiographical poem The Poet’s Complaint of His Muse as both powerful and gloomy.

31. What form of dramatic work was Otway’s The Orphan, produced in 1680?

A. Rhyming tragedy
B. Domestic tragedy
C. Sentimental comedy
D. Heroic tragedy

B. Domestic tragedy.
The Orphan (1680) is specifically identified as a fine blank-verse domestic tragedy which was highly successful.

32. What characteristic distinguished the verse of Otway’s tragedy The Orphan?

A. Rhyming couplets
B. Blank verse
C. Octosyllabics
D. Heroic couplets

B. Blank verse.
The Orphan (1680) was written entirely in blank verse, contrasting with his earlier rhymed heroic plays.

33. What genre of work was Otway’s The Souldier’s Fortune, produced in 1680?

A. Tragedy
B. Comedy
C. Poem
D. Adaptation

B. Comedy.
The Souldier’s Fortune (1680) is recognized as Otway’s best original comedy, likely drawing on his military service.

34. What experience likely inspired Otway’s best comedy, The Souldier’s Fortune?

A. His university life
B. His military service
C. His acting debut
D. His first play

B. His military service.
The comedy The Souldier’s Fortune (1680) is suggested to have been drawn from Otway’s military experiences.

35. In what year were both The Orphan and The Souldier’s Fortune produced?

A. 1679
B. 1680
C. 1682
D. 1685

B. 1680.
Both his successful domestic tragedy, The Orphan, and his best comedy were produced in the year 1680.

36. What is considered Thomas Otway’s dramatic masterpiece?

A. Alcibiades
B. Don Carlos
C. The Orphan
D. Venice Preserved

D. Venice Preserved.
Venice Preserved (1682) is highlighted as Otway’s masterpiece, achieving immense theatrical success.

37. What characteristic distinguished the verse of Otway’s masterpiece, Venice Preserved?

A. Rhyming verse
B. Blank verse
C. Free verse
D. Heroic couplets

B. Blank verse.
Venice Preserved, like The Orphan, was written in blank verse, demonstrating his skill in this dramatic form.

38. In what year was Otway’s masterpiece, Venice Preserved, first performed?

A. 1680
B. 1682
C. 1685
D. 1697

B. 1682.
Venice Preserved was first performed at the Duke’s Theatre at Dorset Garden during the year 1682.

39. Which major literary figure wrote the prologue for the premiere of Venice Preserved?

A. Alexander Pope
B. John Dryden
C. Aphra Behn
D. William Shakespeare

B. John Dryden.
John Dryden, a highly respected figure, demonstrated his admiration by writing the prologue for Venice Preserved.

40. How long did Venice Preserved remain highly popular on stage?

A. Until the 18th century
B. Until the mid-19th century
C. Until 1697
D. Until 1777

B. Until the mid-19th century.
Venice Preserved was frequently revived until the middle of the 19th century, showcasing its immense success.

41. How did the frequency of Venice Preserved revivals compare to Shakespeare’s plays?

A. Less than all
B. More frequent than all
C. More frequent than most
D. Less frequent than most

C. More frequent than most.
It was revived more often than almost any poetic play, with the exception of the works of Shakespeare.

42. For what quality are Otway’s tragedies, especially Venice Preserved, notable?

A. Historical accuracy
B. Psychological credibility
C. Political neutrality
D. Artificiality

B. Psychological credibility.
His tragedies are recognized for their compelling psychological credibility and powerful depiction of intense human passions.

43. What form of drama did Otway’s work, focusing on human emotions, forerunner?

A. Heroic tragedy
B. Sentimental drama
C. Restoration comedy
D. Ballad opera

B. Sentimental drama.
Through his sensitive presentation of human emotions, Otway is identified as one of the forerunners of sentimental drama.

44. What characterised the tragedies of Otway’s age that his work contrasted with?

A. Sentimental focus
B. Heroic but artificial
C. Psychologically credible
D. Naturalistic

B. Heroic but artificial.
Otway’s convincing emotional realism stood in contrast to the prevailing heroic but often artificial tragedies of his time.

45. How did John Dryden react to Otway’s masterpiece, Venice Preserved?

A. Praised it highly
B. Criticised its verse
C. Condemned its immorality
D. Wrote a sequel

A. Praised it highly.
John Dryden demonstrated his high regard for the work by explicitly praising Venice Preserved in his written prologue.

46. What location was the Duke’s Theatre, where Otway’s first and most masterful plays were produced?

A. Lincoln’s Inn Fields
B. Covent Garden
C. Dorset Garden
D. Drury Lane

C. Dorset Garden.
Both Alcibiades (1675) and Venice Preserved (1682) were originally staged at the Duke’s Theatre located in Dorset Garden.

47. What aspect of his works made Otway a forerunner of sentimental drama?

A. Rhyming style
B. Political content
C. Convincing human emotions
D. Gloomy atmosphere

C. Convincing human emotions.
His realistic and moving presentation of human emotions provided a foundation for the later development of sentimental drama.

48. What does The Soldier’s Fortune draw upon, according to the sources?

A. Plutarch’s stories
B. Molière’s comedies
C. Military experience
D. Aphra Behn’s plays

C. Military experience.
Otway’s most successful comedy, The Soldier’s Fortune, is suggested to have been influenced by his time serving in the military.

49. How long after Otway’s death were his attributed love letters published?

A. Two years
B. Seven years
C. Twelve years
D. Forty years

C. Twelve years.
The collection containing the six love letters, allegedly written by Otway, appeared in 1697, twelve years after his death.

50. What dramatic form did Otway specialise in during the last years of his life?

A. Sentimental comedy
B. Rhyming tragedy
C. Blank-verse tragedy
D. Political adaptation

C. Blank-verse tragedy.
His most significant dramatic output, including The Orphan and Venice Preserved, was written in blank verse tragedy.

The Orphan Or The Unhappy Marriage MCQs

The Orphan; Or, The Unhappy Marriage MCQs

1. What setting introduces the opening conversation between Castalio and Polydore?

A. Indoor parlour
B. Public street
C. A Garden
D. Forest path

C. A Garden.
The first scene of the play, featuring Castalio and Polydore, takes place within A Garden.

2. What large animal nearly injured Castalio, forcing Polydore’s dramatic rescue?

A. Wild deer
B. Mad bull
C. Foaming boar
D. Raging lion

C. Foaming boar.
Castalio was borne headlong down a rock after meeting the foaming boar.

3. To whom does Castalio compare Polydore, riding in to save him on a winged steed?

A. Great Ajax
B. Pallas Athena
C. Perseus mounted
D. God Apollo

C. Perseus mounted.
Castalio praises Polydore’s “godlike act,” comparing him to Perseus mounted on his winged steed.

4. What does Polydore seek to acquire in his youth to ensure he is valued later in life?

A. Great wealth
B. Good manners
C. Youth renown
D. Quiet peace

C. Youth renown.
Polydore states he wants to purchase in his youth renown to be loved and valued when he grows old.

5. According to their father, Acasto, why is the outside world dangerous for his sons?

A. Too expensive
B. Full danger
C. It is unsafe
D. Corrupting youth

C. It is unsafe.
Acasto has grown weary of the world and believes It is unsafe for his sons to participate in it.

6. Polydore asks Castalio to speak freely about their father’s ward, who is she?

A. Sweet Serina
B. Lady Partlet
C. Fair Monimia
D. Dame Florella

C. Fair Monimia.
Polydore refers to their father’s ward, the woman they both love, as Fair Monimia.

7. What kind of claim does Castalio assert over Monimia since he loved her first?

A. Ancient right
B. Marriage claim
C. Birthright passion
D. Polydore’s silence

C. Birthright passion.
Castalio informs Polydore that he cannot quit the claim but will preserve the birthright passion.

8. What specific bond does Castalio claim he could not tolerate a rival entering?

A. True brotherhood
B. Monimia’s love
C. Rival friendship
D. Shared duties

C. Rival friendship.
Castalio confesses his nature is obstinate, and he could not bear a rival friendship with Polydore.

9. Castalio states that even if Monimia were perfect, she should not cheat him of what?

A. My fortune
B. True honor
C. Cheat freedom
D. Shared wealth

C. Cheat freedom.
Castalio emphatically states he would not marry Monimia, as she should not cheat him of freedom.

10. If Castalio dies without an heir, to whom does he first wish to bequeath his estate?

A. My king
B. My friend
C. Brave man
D. My servant

B. My friend.
If Polydore survives him, Castalio suggests his friend Polydore should possess the estate he leaves.

11. Castalio reveals he should have met Monimia again where after their private meeting?

A. Monimia’s room
B. Here again
C. Father’s place
D. Down the rock

B. Here again.
Castalio reveals he was with her privately last night and should have met her here again in the garden.

12. Monimia says she feels what specific feelings sitting round her heart upon entering?

A. Sudden fear
B. Deep sadness
C. Distrust heaviness
D. Vague dread

C. Distrust heaviness.
Monimia states that “Distrust and heaviness sit round my heart,” and apprehension shocks her soul.

13. What is the name of the Page Monimia asks about the brothers’ private talk?

A. Young soldier
B. Page servant
C. Cordelio sir
D. Boy attendant

C. Cordelio sir.
Monimia addresses the Page directly as “Come near, Cordelio; I must chide you, sir”.

14. What did the Page reveal was the subject of the brothers’ last discourse?

A. Going travelling
B. Love Monimia
C. Father’s health
D. Estate rights

B. Love Monimia.
The Page tells Monimia that she was the subject of their last discourse concerning their love Monimia.

15. What did the brothers ultimately resolve to avoid doing over Monimia?

A. Yielding claim
B. Not quarrel
C. Seeking marriage
D. Speak falsehoods

B. Not quarrel.
After their heated debate and much struggling, the two brothers resolved Not quarrel for her.

16. The Page reported that Castalio described love as what, rather than a painful feeling?

A. Duty calling
B. Play’d pleasure
C. Simple fun
D. Mortal folly

B. Play’d pleasure.
The Page recalls that Castalio “play’d with love, and smiling show’d the pleasure, not the pangs of his desire”.

17. What is Monimia’s resolution after learning Castalio will not marry her?

A. Start weeping
B. I ruined
C. Leave immediately
D. Forgive easily

B. I ruined.
When she learns Castalio rejects marriage, she concludes, “Then I am ruin’d!”.

18. Castalio leaves Monimia with Polydore, claiming he must attend to whom?

A. His rival
B. Attend father
C. His brother
D. His Footman

B. Attend father.
Castalio excuses himself quickly, stating that “Business of importance calls me away: I must attend father”.

19. What does Polydore claim Monimia’s beauty does to his soul with every glance?

A. Stops life
B. Dart’s soul
C. Heals wounds
D. Fires senses

B. Dart’s soul.
Polydore describes that “every glance they send Darts through my soul”.

20. Monimia asserts that she is a helpless orphan due to whose fate?

A. Brother’s poverty
B. Parents’ dy’d
C. Father’s shame
D. Acasto’s refusal

B. Parents’ dy’d.
Monimia reminds Polydore that her tender parents dy’d and their fortunes expired with them.

21. Polydore labels “peevish virtue” as what, taught by what kind of people?

A. Great lesson
B. Cheat hypocrites
C. Woman’s folly
D. True kindness

B. Cheat hypocrites.
Polydore insists that Monimia’s peevish virtue is “a cheat; And those who taught it first were hypocrites”.

22. What fate does Monimia swear she would prefer over Polydore persisting?

A. True sickness
B. World beggar
C. Deep dishonour
D. Dying instantly

B. World beggar.
She swears she would rather wander through the world beggar and live on sordid scraps than see him.

23. What is the outcome of Acasto’s hunt that he relates to his sons?

A. Boar escaped
B. Monster killed
C. Hunters lost
D. Javelin broken

B. Monster killed.
Acasto tells his sons how he struck the ugly brindled monster to the heart, so the monster killed.

24. Acasto characterizes flattery as a little sneaking art used to soften what group?

A. His friends
B. Proud men
C. Soft fools
D. Honest knaves

C. Soft fools.
Acasto warns his son that flattery is used by knaves “To cajole and soften soft fools withal”.

25. Who brings the welcome news to Acasto regarding Chamont’s unexpected arrival?

A. Castalio
B. Monimia
C. Serina child
D. Chaplain friend

C. Serina child.
Serina, Acasto’s daughter (“My little cherub”), announces that Young Chamont is just arriving.

26. What relationship does Chamont instantly claim with Serina after learning she is Acasto’s daughter?

A. True cousin
B. Brother adoption
C. Future husband
D. Distant kin

B. Brother adoption.
Since Acasto is like a father to Chamont, he claims to be Serina’s brother adoption.

27. What is the occasion that Acasto announces must be a day of joy throughout the house?

A. His recovery
B. Birth day
C. New venture
D. Chamont’s arrival

B. Birth day.
Acasto proclaims that the day is the birth day of his royal master and requires celebration.

28. Chamont claims he avoids court because he lacks the temperance to attend whose heels?

A. A good king’s
B. Favorite’s heels
C. Loyal subjects’
D. Wealthy lords’

B. Favorite’s heels.
Chamont says he lacks the slavish temperance needed to attend a favorite’s heels and watch for his smiles.

29. What precious thing did Chamont’s father prize above “mines of wealth”?

A. His land
B. His honour
C. Brave spirit
D. Good family

B. His honour.
Chamont recalls that his father prized the jewel of His honour more than mines of wealth.

30. What horrifying image did the phantom in Chamont’s dream present to him?

A. Sister murdered
B. Wanton lover
C. Father dying
D. Brother raging

B. Wanton lover.
The phantom form of Monimia appeared with a wanton lover in each hand caressing her freely.

31. What scene was interwoven on the arras where Chamont struck his sword?

A. The boar
B. Oedipus tale
C. Theban slew
D. King’s funeral

C. Theban slew.
The arras depicted “that famous tale was interwoven, How the unhappy Theban slew his father”.

32. What warning did the wrinkled hag give Chamont when he met her on the road?

A. Stay home
B. Save sister
C. Return home
D. Beware lies

B. Save sister.
The hag asked for charity and told Chamont to hasten “To save sister!”.

33. Chamont advises Monimia that when a man swears about love, he will certainly do what?

A. Love always
B. Deceive thee
C. Seek kindness
D. Feel sorrow

B. Deceive thee.
Chamont warns her that if a man swears love, “he’ll certainly deceive thee”.

34. How does Chamont instruct Monimia to act towards Castalio next, to see his love cool?

A. Smile sweetly
B. Appear cold
C. Show passion
D. Tell falsehood

B. Appear cold.
Chamont advises her to “Appear as cold” as great ones when merit begs to see his heart cool quickly.

35. Polydore secretly instructs the Page to watch his brother thoroughly from what location?

A. A window
B. At door
C. The garden
D. Far distance

B. At door.
Polydore tells the Page to “Here place yourself, and watch my brother thoroughly” At door.

36. Monimia calls Castalio’s “bewitching tongues” similar to the mournful sound of what animal?

A. Wild fox
B. False hyena
C. Distemper’d sky
D. Serpent’s hiss

B. False hyena.
Monimia states that “Tis thus the false hyena makes her moan, To draw the pitying traveller to her den”.

37. Monimia tells Castalio that Polydore spoke “licentiously” because she was the object of what?

A. His desires
B. Father’s charity
C. His vengeance
D. Brother’s plot

B. Father’s charity.
Polydore spoke crudely knowing she was the unhappy object of their father’s charity.

38. What extreme happened to Acasto when he sat with guests, causing a collapse?

A. Great anger
B. Sudden death
C. Sudden trembling
D. Speaking falsehood

C. Sudden trembling.
A sudden trembling seized on all Acasto’s limbs, and his speech forsook him during this event.

39. Where did the Servant report that Castalio and Monimia could not be found?

A. The garden
B. The grove
C. The house
D. The city

C. The house.
The Servant reports that he has searched “all the house” as commanded, but they Not found.

40. To what common location does the Chaplain confirm he had joined the hands of Castalio and Monimia?

A. The saloon
B. The grove
C. The fountain
D. The chamber

B. The grove.
The Chaplain admits that he met them there, received their vows, and joined their hands in The grove.

41. What kind of sign did Monimia instruct Castalio to give at her chamber door?

A. Loud whisper
B. Three soft
C. Quick knock
D. Single light

B. Three soft.
Monimia instructed Castalio that the sign would be “three soft strokes upon the chamber door”.

42. Polydore uses Castalio’s Page by having him invent what to keep Castalio delayed?

A. Small errands
B. Invent a story
C. Start argument
D. Find a friend

B. Invent a story.
Polydore instructs the Page to “invent a tale, no matter what” to keep his brother occupied.

43. What is the name of the woman who answers the window when Polydore gives the secret sign?

A. Monimia
B. Serina
C. Flo there
D. Page Cordelio

C. Flo there.
When Polydore gives the sign, the window opens, and the text indicates that the speaker is Flo there.

44. What does Florella claim Monimia thinks Castalio is attempting by coming to the window?

A. Seeking help
B. Do violence
C. Admit marriage
D. Tell the truth

B. Do violence.
Florella tells Castalio that Monimia knows he is Polydore, sent to affront and do violence.

45. What common metaphor does Castalio use to characterise the woman (Eve), causing the downfall of man?

A. Gold curse
B. Apple damned
C. Poison sweet
D. Devil’s friend

B. Apple damned.
Castalio concludes that for an apple, a woman (Eve), Apple damned mànkind.

46. What does Castalio promise Monimia he will do every day if she remains his wife?

A. Love always
B. Play tyrant
C. Seek peace
D. Give pleasure

B. Play tyrant.
Castalio spitefully vows to Monimia that “all day I’ll play tyrant” and forsake her at night.

47. When Chamont enters, Monimia’s grief is so overwhelming that it causes what physical reaction?

A. Violent sobbing
B. Silent weeping
C. Chokes cause
D. Immediate faint

C. Chokes cause.
Monimia says she cannot speak because “grief flows so fast upon me, it chokes me”.

48. When Castalio throws Monimia from him, Chamont curses him, swearing he will resemble what object?

A. Bad dog
B. Dead dog
C. Wild boar
D. Mad villain

B. Dead dog.
Chamont swears he will throw Castalio to earth “like a dead dog despis’d”.

49. What does Polydore admit he has done that has polluted Castalio’s bed and marriage joys?

A. Great treason
B. Stained bed
C. Told a falsehood
D. Lost friendship

B. Stained bed.
Polydore confesses, “I’ve stained thy bed; thy spotless marriage joys Have been polluted by thy brother’s lust”.

50. How did Monimia claim to have finished the task of taking her own life?

A. Knife blade
B. Drunk draught
C. Fell sword
D. Hanging myself

B. Drunk draught.
Monimia states to Castalio, “I’ve drunk draught for all my cares, and never more shall wrong thee”.

Brief Overview

The Orphan, or The Unhappy Marriage, is a domestic tragedy by Thomas Otway. It was first produced and published in 1680. Written in blank verse, the play details the destructive consequences of deception, miscommunication, and tragic fate.

The central conflict involves two brothers, Castalio and Polydore, and the orphan girl they both love, Monimia. Monimia was taken in and raised by the boys’ father, Acasto.

Castalio and Polydore initially quarrel over Monimia. Castalio claims he will not marry her because he wants to maintain his freedom. The brothers agree not to fight, and Castalio tells Polydore he can try to win her love. However, Castalio secretly marries Monimia that same day.

Later that night, Castalio gives Monimia a signal of three soft strokes to let him into her room. Polydore, who secretly overheard the plan, maliciously tricks Castalio into staying away from the room. Polydore then uses the exact signal and pretends to be Castalio to sleep with Monimia.

The next morning, Castalio oppresses Monimia. He assumes she betrayed him since he spent the night alone. Monimia’s brother, Chamont, is told that Castalio has wronged her and challenges Castalio.

Polydore finally reveals that he slept with Monimia, believing he was only winning the woman his brother did not want. They fight, and Polydore is wounded. Monimia, who thinks she has betrayed Castalio by sleeping with his brother, drinks poison and dies.

Polydore soon dies, admitting Monimia was innocent and thought he was Castalio. Castalio, heartbroken by the entire disaster, stabs himself and dies beside her.