Waiting for Godot MCQs

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Author: Nasir Iqbal | Assistant Professor of English Literature

Waiting for Godot MCQs
Updated on: October 27, 2025
Estimated Reading Time: 17 min

Waiting for Godot MCQs

1. What is the genre of Waiting for Godot as stated in the text?

A. A comedy
B. A tragedy
C. A tragicomedy
D. A drama

C. A tragicomedy
The play blends comic vaudeville routines with a tragic, existential core.

2. Which character is introduced first in Act I, trying to remove his boot?

A. Vladimir
B. Lucky
C. Pozzo
D. Estragon

D. Estragon
The play opens with Estragon (Gogo) seated on a mound, struggling with his boot.

3. What is Estragon doing at the very beginning of Act I?

A. Singing a song
B. Trying to take off his boot
C. Talking to Vladimir
D. Eating a carrot

B. Trying to take off his boot
His first line, “Nothing to be done,” refers both to the boot and their larger existential situation.

4. What is Vladimir’s initial reaction to Estragon’s “Nothing to be done”?

A. He disagrees vehemently.
B. He’s beginning to come round to that opinion.
C. He suggests trying something new.
D. He laughs loudly.

B. He’s beginning to come round to that opinion.
Vladimir applies the specific phrase about the boot to their general life situation.

5. Where did Estragon spend the night before the play begins?

A. In a luxurious hotel
B. In a ditch
C. Under the tree
D. With Pozzo

B. In a ditch
He returns from the ditch, claiming he was beaten again.

6. Vladimir believes that but for him, Estragon would be what at the present minute?

A. A rich man
B. A little heap of bones
C. Far away from him
D. Happy

B. A little heap of bones
This highlights Vladimir’s protective, almost paternal, feeling towards Estragon.

7. Vladimir quotes a saying, “Hope deferred maketh the something sick.” What word is he searching for?

A. Heart
B. Soul
C. Mind
D. Body

A. Something sick
He misquotes the Proverb “Hope deferred maketh the heart sick,” central to their theme of waiting.

8. What action does Vladimir repeatedly perform with his hat?

A. He throws it in the air.
B. He puts it on and takes it off, peering and feeling inside.
C. He uses it to shield his eyes.
D. He polishes it.

B. He puts it on and takes it off, peering and feeling inside.
This repetitive, pointless action is characteristic of the play’s “vaudeville” elements and search for meaning.

9. What biblical story does Vladimir recall to Estragon to pass the time?

A. The creation of the world
B. Noah’s Ark
C. The two thieves crucified with the Saviour
D. The story of Adam and Eve

C. The two thieves crucified with the Saviour
He is preoccupied with the fact that only one of the four Gospels mentions that one of the thieves was saved.

10. Why do Vladimir and Estragon remain in the “charming spot”?

A. They are waiting for the boy.
B. They are waiting for Pozzo.
C. They are waiting for Godot.
D. They are too tired to move.

C. They are waiting for Godot.
This is the central premise and repeated refrain of the entire play.

11. How does the tree appear at the end of Act I?

A. Full of green leaves
B. Blooming with flowers
C. Dead or without leaves
D. Covered in fruit

C. Dead or without leaves
The single tree on stage is bare, symbolizing the desolation of the setting.

12. What day of the week does Godot mention he might come?

A. Sunday
B. Monday
C. Saturday
D. Friday

C. Saturday
Vladimir is fairly certain the Boy told them Mr. Godot would come on Saturday.

13. What does Vladimir refuse to let Estragon tell him about?

A. His past life
B. His dreams
C. His feelings
D. His plans

B. His dreams
Vladimir cannot bear to hear Estragon’s private nightmares, preferring to focus on their shared reality.

14. Estragon suggests that it might be better for them to do what?

A. Find food
B. Part ways
C. Go to sleep
D. Tell jokes

B. Part ways
He suggests they might be better off alone, though they never act on this.

15. What action do Vladimir and Estragon consider to pass the time?

A. Playing a game
B. Telling stories
C. Hanging themselves
D. Going for a walk

C. Hanging themselves
They repeatedly discuss suicide as a potential diversion, though they never attempt it seriously.

16. What does Estragon suggest they do instead of hanging themselves?

A. Don’t let’s do anything. It’s safer.
B. Let’s go look for food.
C. Let’s continue waiting for Godot.
D. Let’s try and sleep.

A. Don’t let’s do anything. It’s safer.
This line captures their paralysis and inability to act decisively.

17. What did Vladimir and Estragon ask Godot for?

A. Money
B. Nothing very definite, a kind of prayer, a vague supplication.
C. Food and shelter.
D. A place to sleep.

B. Nothing very definite, a kind of prayer, a vague supplication.
Their reason for waiting is undefined, highlighting the theme of uncertain hope.

18. What food item does Vladimir initially offer Estragon, which turns out to be something else?

A. A potato, but it’s a radish.
B. A turnip, but it’s a carrot.
C. A carrot, but it’s a turnip.
D. An apple, but it’s a pear.

C. A carrot, but it’s a turnip.
This exchange highlights their meager provisions and Estragon’s disappointment.

19. After eating the carrot, Estragon remembers his question. What was it?

A. “Where are we?”
B. “Are we tied?”
C. “What time is it?”
D. “Is Godot coming?”

B. “Are we tied?”
This question relates to their connection to Godot and their inability to leave.

20. What frightens Vladimir and Estragon, signaling the entrance of Pozzo and Lucky?

A. A terrible cry
B. A bright light
C. A loud bell
D. A sudden silence

A. A terrible cry
The arrival of Pozzo and Lucky violently interrupts their waiting.

21. How is Lucky being driven by Pozzo when they first appear?

A. By a leash around his waist.
B. By a rope passed around his neck.
C. By a stick.
D. By verbal commands only.

B. By a rope passed around his neck.
This image immediately establishes their master-slave relationship.

22. What item does Lucky carry upon his first entrance?

A. A small suitcase and a book.
B. A heavy bag, a folding stool, a picnic basket, and a greatcoat.
C. Only a heavy bag.
D. A whip and a hat.

B. A heavy bag, a folding stool, a picnic basket, and a greatcoat.
All of Pozzo’s comforts heavily burden Lucky.

23. What name do Estragon and Vladimir initially mistake Pozzo for?

A. Bozzo
B. Gozzo
C. Godot
D. Adam

C. Godot
Their hope is so great that they initially believe their waiting is over.

24. What does Pozzo take out of his picnic basket to eat and drink?

A. Bread and water
B. Cheese and beer
C. Chicken and wine
D. Fish and tea

C. Chicken and wine
He feasts on these items while Vladimir and Estragon have only carrots/turnips.

25. After Pozzo finishes eating, what does Estragon timidly ask for?

A. A drink of water
B. The chicken bones
C. Directions to a town
D. Money

B. The chicken bones
This highlights Estragon’s desperation and the power dynamic.

26. What does Pozzo admit he wants to do with Lucky?

A. Give him a raise.
B. Sell him at the fair.
C. Set him free.
D. Make him his equal.

B. Sell him at the fair.
He explains his journey is to the market to sell Lucky.

27. What happens when Estragon attempts to wipe Lucky’s tears with a handkerchief?

A. Lucky thanks him.
B. Lucky cries more.
C. Lucky kicks him violently in the shins.
D. Lucky embraces him.

C. Lucky kicks him violently in the shins.
Lucky’s one act of violent self-defense is a reaction to Estragon’s pity.

28. What does Pozzo say about “The tears of the world” and “the laugh”?

A. They are infinite.
B. They are a constant quantity.
C. They are decreasing.
D. They are increasing.

B. They are a constant quantity.
This line reflects a static, zero-sum view of human suffering and joy.

29. What kind of hat do all four characters (Vladimir, Estragon, Pozzo, Lucky) wear?

A. Top hats
B. Bowlers
C. Fedoras
D. Berets

B. Bowlers
The bowler hat is a key costume piece, linking them as a type of “everyman.”

30. What object is essential for Lucky to be able to think?

A. His rope
B. His hat
C. His bags
D. His stool

B. His hat
Pozzo instructs them to give Lucky his hat so he can “think.”

31. What happens when Vladimir removes Lucky’s hat?

A. He sings a beautiful song.
B. He falls silent and falls.
C. He starts to dance wildly.
D. He immediately tries to retrieve it.

B. He falls silent and falls.
Removing the hat is the only way to stop his nonsensical torrent of speech.

32. What do Vladimir and Estragon say to pass the time after Pozzo and Lucky exit?

A. “That passed the time.”
B. “We must leave now.”
C. “Let’s sing.”
D. “I’m hungry.”

A. “That passed the time.”
The encounter with Pozzo and Lucky served as a temporary distraction from their waiting.

33. What message does the Boy deliver from Mr. Godot?

A. Godot is coming this evening.
B. Godot won’t come this evening but surely tomorrow.
C. Godot has decided not to come at all.
D. Godot is ill and cannot come.

B. Godot won’t come this evening but surely tomorrow.
This is the central message that concludes Act I, forcing them to continue waiting.

34. Who does the Boy say Godot beats?

A. The goats
B. His brother
C. The sheep
D. Nobody

B. His brother
Godot beats the boy’s brother, who tends the sheep, but not the boy, who tends the goats.

35. What message does Vladimir tell the Boy to deliver to Mr. Godot?

A. That they are still waiting.
B. That they are leaving.
C. That he saw them.
D. That they are angry.

C. That he saw them.
Vladimir desperately wants confirmation of their existence and presence.

36. What do Vladimir and Estragon agree to bring with them tomorrow, if Godot doesn’t come?

A. Food
B. More clothes
C. A bit of rope
D. Tools

C. A bit of rope
They plan to bring rope to hang themselves, returning to their earlier idea.

37. What is the final action of Vladimir and Estragon at the end of Act I?

A. They leave the stage.
B. They sit down.
C. They embrace.
D. They do not move.

D. They do not move.
The act ends with the famous stage direction that contradicts their line, “Yes, let’s go.”

38. At the start of Act II, what is noticeably different about the tree?

A. It has been cut down
B. It is much larger
C. It has four or five leaves
D. It has a rope hanging from it

C. It has four or five leaves
The tree has sprouted leaves, indicating the passage of time and a (perhaps false) sign of renewal.

39. What is the subject of the song Vladimir sings to himself at the start of Act II?

A. A story of two friends
B. A dog in a kitchen
C. A man waiting by a road
D. The rising of the moon

B. A dog in a kitchen
He sings a repetitive, circular song about a dog, reflecting the play’s own structure.

40. What is Estragon’s first reaction upon seeing the boots again in Act II?

A. They’re not mine.
B. I’m glad someone left them.
C. They’re even worse than before.
D. Finally, my boots!

A. They’re not mine.
This continues the theme of uncertainty, memory failure, and repetition.

41. During the hat-swapping scene, which three hats are passed between Vladimir and Estragon?

A. Vladimir’s, Estragon’s, and the boy’s
B. Vladimir’s, Estragon’s, and Pozzo’s
C. Vladimir’s, Estragon’s, and Lucky’s
D. Two of their own and a new one

C. Vladimir’s, Estragon’s, and Lucky’s
They engage in a classic vaudeville routine, swapping their two hats and the one Lucky left behind.

42. How has Pozzo’s physical condition changed upon his return in Act II?

A. He is láme
B. He is deaf
C. He is blind
D. He has lost an arm

C. He is blind
Pozzo’s return as a blind man represents a drastic change and a disruption of his former power.

43. What does Pozzo say the blind have no notion of?

A. Color
B. Beauty
C. Time
D. Direction

C. Time
His blindness has erased his perception of time, which he was obsessed with in Act I.

44. What does Pozzo say is in the heavy bag that Lucky carries?

A. Stones
B. His belongings
C. Food
D. Sand

D. Sand
The bag, once full of useful items (and presumably chicken), is now filled with useless sand.

45. What new affliction does Lucky have in Act II?

A. He is blind
B. He is láme
C. He is deaf
D. He is dúmb

D. He is dúmb
The character who once produced the stream-of-consciousness “think” speech can no longer speak.

46. In his final, angry speech, Pozzo exclaims, “They give birth astride of a grave…” What comes next?

A. “…the light gleams an instant, then it’s night once more.”
B. “…we live a moment, then we are gone.”
C. “…we cry for a while, then silence falls.”
D. “…the pain is short, but the darkness is long.”

A. “…the light gleams an instant, then it’s night once more.”
This is one of the play’s most famous and bleakest lines about the brevity of human life.

47. When the boy arrives in Act II, does he claim to be the same boy from the previous day?

A. Yes
B. No
C. He doesn’t remember
D. He refuses to answer

B. No
This frustrates Vladimir and reinforces the theme of unreliable memory and cyclical time.

48. In his monologue after the boy leaves, Vladimir says what is a “great deadener”?

A. Waiting
B. Suffering
C. Habit
D. Silence

C. Habit
He reflects on how habit numbs them to the strangeness and horror of their situation.

49. What does Estragon propose they use to hang themselves at the end of the play?

A. A bit of rope
B. His belt
C. Vladimir’s coat
D. A vine from the tree

B. His belt
They again consider suicide, this time using Estragon’s belt (a cord).

50. What is the final action of Vladimir and Estragon at the end of Act I?

A. They leave the stage.
B. They sit down.
C. They embrace.
D. They do not move.

D. They do not move.
The play’s final stage direction mirrors Act I, summarizing their paralysis.

Brief Overview

Waiting for Godot is a two-act play by Samuel Beckett. It is a cornerstone of the Theatre of the Absurd. The play is about two tramps, Estragon (Gogo) and Vladimir (Didi), who wait endlessly by a barren tree for the arrival of a mysterious figure named Godot.

The entire play consists of the two men talking, arguing, and performing small, repetitive actions to pass the time. They are unable to leave because they are waiting for Godot, though they are unsure who he is, why they are waiting, or if he will ever come. They rely completely on each other to face the crushing emptiness of their existence.

In both Act I and Act II, two other characters appear. Pozzo is a cruel, pompous master, and Lucky is his silent, suffering slave, whom he leads by a rope. Their relationship is a harsh satire of dependency and power. Lucky performs a famous, rambling “think” monologue before being silenced again.

In each act, a Boy arrives as a messenger from Godot. The Boy always tells Estragon and Vladimir that Godot will not come today, but will surely come tomorrow. The tramps consider leaving after this news, but they always remain frozen in place.

The second act repeats the pattern of the first, but the characters are more degraded. Pozzo is now blind, and Lucky is mute. The tramps’ memories are unreliable, and the tree has grown a few leaves. The play ends just as it began: Estragon and Vladimir say they will leave, but they do not move.

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